CSI’s Anthony E. Zuiker – Dark Prophecy

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Johnny Knoxville and Steve-O: Jackass 3D

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Janeane Garofalo: If You Will

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Tommy Lee - Methods of Mayhem

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Chester Bennington: Linkin Park

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Tank Girl, Genesis, and The Cool-Crap-Continuum

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Gary Numan: The Pleasure Principle

The Pleasure Principle is an album that's provided its maker, Gary Numan, with both instant and delayed gratification. Three decades ago, when the now classic electro album first came out, it made a massive impact culturally and commercially. The Pleasure Principle, and the iconic single it spawned, “Cars”, hit the number one spot simultaneously on the album and singles charts in the UK in September, 1979. The following year, the records crashed the US Billboard charts, making the painfully shy young vocalist, composer and musician a household name here too.

Numan's Kraftwerk-inspired tracks, which channeled the voice of the machine, had a raw energy and DIY aesthetic that served as the bridge between '70s punk and the early dance and hip-hop scenes of the 1980s. Indeed the bare break beats from the opening segment of "Films" (the fourth track on The Pleasure Principle) became the sample of choice for a generation of producers, thanks in part to the song's inclusion on Street Beat's tastemaker compilation series Ultimate Breaks and Beats (which served as the primary DJ and studio sample resource pre-CD).

Ironically, as the spotlight faded on Numan, the sounds he created proliferated exponentially through the fabric of pop music culture. As a new generation of producers sampled samples, the origins of these staple breaks escaped many. However those in the know - such as Basement Jaxx, Armand Van Heldon, Afrika Bambaataa and Dr. Dre - openly covered, used, credited and paid homage to Numan's body of work.

In 2002, Numan once again toped the charts in the UK with an all-girl band called the Sugababes and a song called "Freak Like Me." The track was essentially a highly produced and super slick mash-up of the top line from Adina Howard's "Freak Like Me" and the riff and groove lifted directly from "Are Friends Electric," a song Numan recorded pre-Principle with his band Tubeway Army (which first hit the #1 single spot across the Atlantic in May, 1979).

More recently, Trent Reznor outed himself as a fan, inviting Numan to perform his songs with Nine Inch Nails during the band's 2009 shows in London and Los Angeles. The strong reaction Numan received following his guest spots at NIN's four final shows in LA in particular turned heads, and a coveted invite to play Coachella this year was forthcoming. Unfortunately, fallout from a volcano in Iceland, which grounded flights throughout Europe, meant that Numan, along with several other artists, was unavoidably a no-show at the festival. However fans won't be disappointed for long, since a dedicated tour honoring the 30th Anniversary of The Pleasure Principle will stop off in 15 US cities this fall.

I called Numan up at the East Sussex home he shares with his wife and three children to talk about the shows, his music - past and present - and the realities of life beyond The Pleasure Principle.

Read my exclusive interview with Gary Numan at SuicideGirls.com.

My Lee "Scratch" Perry Image is Indie1031's Picture of the Week

My snap of Lee "Scratch" Perry is the Picture of the Week on Indie1031.com.

The photo was taken last Sunday (Aug 22nd) at Sunset Junction.

See photo gallery for more images from the event.

Richard Patrick: Filter

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Met Loaf + Pearl Aday feat. Scott Ian (Anthrax)

Went with SG Radio co-host Sam Doumit to see my SuicideGirls pal Scott Ian play with his lovely wife, Pearl Aday, last week. Pearl, who released her debut solo album Little Immaculate White Fox in 2009, was supporting her dad – Meat Loaf – at the Gibson Amphitheatre. For more images from the night check my SuicideGirls photo gallery.

SuicideGirls: Ink n' Undies

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Steven Adler: My Appetite For Destruction

In 1988 when Guns N' Roses debut album, Appetite For Destruction, topped the Billboard 200 chart and the band's seminal single "Sweet Child O' Mine" did the same on Billboard's Hot 100, being a member of the hard rocking Los Angeles band should have been a dream come true. But for the band's drummer, Steven Adler, his fantasy reality was already turning into a nightmare. Guns N' Roses muse, "Mr. Brownstone," a.k.a. heroin had moved in, and by 1990 it had robbed Adler of his career, health and wealth.

But the seeds of Adler's destruction were sown long before Guns N' Roses was born. A quintessential problem child, Adler was thrown out of his home by his mom and step-dad when he was just 11-years old. Lack of proper parental supervision aided and abetted his underage activities at the clubs that gave him his music education. It also facilitated sexual abuse at age 14 - something Adler was unable to deal with or verbalize for the next three decades.

Having served his apprenticeship on the Sunset Strip, Adler and his childhood friend Slash hooked up with Axl Rose in 1985. Rhythm guitarist Izzy Stradlin and bassist Duff McKagan completed what is now considered the classic Guns N' Roses lineup. Under the stewardship of manager Vicki Hamilton, Guns N' Roses signed a marquee deal with Geffen Records, which was also home to the band's idols Aerosmith.

With the release of their first studio album, Guns N' Roses transcended the record sales of their heroes. Appetite For Destruction went on to become the best-selling debut album of all-time worldwide, selling over 28 million copies around the globe. The quintet followed up with G N' R Lies in 1988. It would be the last complete Guns N' Roses album Adler would perform on. He was conspicuous by his absence during Guns N' Roses' 1989 American Music Awards performance (for which Don Henley subbed). A disastrous appearance at Farm Aid the following year would prove to be Adler's last with the band. He recorded one final track, "Civil War," which was included on Guns N' Roses' fourth studio album, Use Your Illusion II (which was released as a companion their third, Use Your Illusion I in 1991).

Adler was fired by his Guns N' Roses' bandmates in 1990. With the absence of a reason to get up in the morning, his substance abuse spiraled. Adler's life was punctuated by a series of car crashes, accidental ODs, and suicide attempts. In 1996 one such incident led to a stay in hospital during which Adler slipped into a coma. He awoke to find one side of his face paralyzed due to a suspected stroke, which resulted in a permanent speech impediment. However, unfazed by his near-death experience, Adler continued on his path of destruction.

Adler credits Dr. Drew Pinsky with changing the direction of his life. He appeared on the second season of VH1's Celebrity Rehab with Dr. Drew. Though he's succumbed to several, perhaps inevitable, relapses - most notably while appearing on the Celebrity Rehab spin-off series Sober House - Adler nevertheless is proud of his progress.

In order to move forward, Adler has spent a lot of time coming to terms with his past, which he has chronicled in a new memoir entitled My Appetite For Destruction: Sex & Drugs & Guns N' Roses. In the book, Adler is upfront about the part he played in his own downfall, but also makes it clear when and how he thinks those around him may have given him an added push.

I called up Adler to find out more. Read my exclusive interview with Steven Adler on SuicideGirls.com

Nicole
XOX

Ps. Steven Adler will be an in-studio guest on SuicideGirls Radio on Sunday Sept 12th.

Chris Mallick: Middle Men

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Hypernova, The Troubadour, LA – 7/16

Took some snaps of Hypernova when they played WeHo's Troubabour recently (see photo gallery). The band have an amazing story (they're from Iran) and an awesome sound (New Order meets Franz Ferdinand).

Hypernova are currently on a nationwide tour with fellow Iranian band The Yellow Dogs (who appeared in an award-winning documentary about the underground rock music scene in Tehran called No One Know About Persian Cats). Both bands are in exile (it's illegal to perform Western style music in Iran) and based in New York now (Hypernova originally obtained work visa thanks to the personal intervention of New York Senator Charles Schumer). They're hoping the tour will open a window on a different, more positive aspect of Middle Eastern culture than we're used to seeing on TV, so be sure to check 'em out.

Visit Hypernova's Facebook for tour dates and their website for a free download of their new single, "Fairty Tales," off their debut album Through The Chaos.

Interview with Jonathan Davis of Korn

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Diamondsnake feat. Moby

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Samantha Bee: I Know I Am, But What Are You?

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Tilda Swinton: I Am Love

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Jake Shears: Scissor Sisters

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Chuck Palahniuk: Tell-All

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Justin Halpern: Shit My Dad Says

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Alex Gibney: Casino Jack and The United States of Money

They say the house always wins, but in the case of "Casino" Jack Abramoff it was the guy holding the keys to the front and back doors that made out like a bandit. Like thousands of other lobbyists (close to 14,000 individuals were registered as such in 2009 according to the Center for Responsive Politics) Abramoff peddled access to influence, which he bought with generous campaign "donations" and perks such as luxury "fact-finding" trips.

Abramoff wasn't too picky about who his clients were, had no problem representing more than one side, and, as a disciple of Ronald Reagan school of economics, had a innate disrespect for any rules and regulations that interfered with his ability to capitalize at the often excessive expense of his clients.

Having represented several Indian tribes with regards to their lucrative gaming rights, Abramoff (along with business partner Adam Kidan) utilized his gambling expertise and made a play to buy the SunCruz floating casino line. The deal hit headlines in 2005 when three men connected to the Gambino crime family were charged with the 2001 murder of SunCruz founder Konstantinos "Gus" Bouli, who had sold a majority interest in the company to Abramoff and his associates. By this time Abramoff was being investigated for bribery and corruption relating to his Indian gaming clients, who had collectively been charged an estimated $85 million in fees by Abramoff and cronies Ralph E. Reed, Jr., Grover Norquist and Michael Scanlon -- for the privilege of being played off against each other.

In truth, Abramoff's business practices probably had much in common with those of a large proportion of his contemporaries. His main crime in Washington's prevailing climate of corruption seemingly being that he got too cocky not to get caught. Ultimately Abramoff and an elite group of conspirators including Ohio's Republican Rep. Bob Ney, his former Chief of Staff, Neil Volz, and Michael Scanlon, who had served as Communications Director for disgraced Texan Rep. Tom DeLay (and had assisted Abramoff in the SunCruz purchase), paid -- albeit relatively lightly -- for their crimes, and Washington was able to breathe a collective sigh of relief that it had been seen to do something with actions that had minimal long-term impact on the status quo.

However, it's this status quo, the lobbying system and how its symbiotic with the way we finance the election of our leaders, that we should really take issue with since it has done more to pervert the course of democracy than any one individual. In 2009 a record $3.48 billion was spent on lobbying. And since a politician's primary objective once they get in power, by necessity, is to find the money to get reelected, it's easy to understand why our representatives in government are forced to serve the needs of those with fat checkbooks above those of the people.

With an eye on this bigger picture, Oscar-winning documentarian Alex Gibney (whose previous credits include Enron: The Smartest Guys in the Room and Taxi to the Dark Side) takes an in-depth look at the stranger-then-fiction Abramoff affair in his new film Casino Jack and The United States of Money. I caught up with Gibney to talk about the wholesale selling of America he investigated, and how, with a dearth of untarnished white knights, our future champions might just take the form of the likes of Eliot Spitzer (who's the subject of Gibney's next, as yet untitled, project).

Read my interview with Alex Gibney on SuicideGirls.com.

John Lydon: Public Image Limited

John Lydon (a.k.a. Johnny Rotten) says he doesn't like tattoos, but try not to hold that against him. If I'd been calling in on behalf of a golf magazine, he'd probably tell me how much he's offended by the sport. Not because he's disagreeable -- he really isn't -- but because first and foremost, above all else, the OG punk rocker is a provocateur and contrarian.

The Sex Pistols frontman is back on the scene after reviving his post-punk avant-garde music project Public Image Limited (a.k.a. PiL). The band, which was formed in 1978 in the wake of The Pistols dramatic demise, featured a revolving cast of players (including SG's Martin Atkins), with Lydon being the driving force and only constant.

Returning to the stage after a 17-year hiatus, PiL played a series of critically acclaimed shows in the UK in the latter part of 2009. With the music industry in a state of flux, and with very little cash flowing to support any artistic endeavors, Lydon financed the reunion in a true-to-form, eyebrow-raising fashion. The singer who had once called for "Anarchy in the UK" become a spectacularly unlikely spokesman for a brand of British butter called Country Life, appearing in a humorous commercial which sent sales of the saturated fat soaring.

Lydon, who lives in California, is now set to bring the organized chaos that is PiL stateside. The band will be playing Club Nokia in Downtown LA on April 13 prior to a highly anticipated opening-night performance at Coachella and a series of dates across the US.

I called Lydon up at his Los Angeles beachside home to talk a little bollocks about life, butter, music, politics, PiL, the psychology of punk - and his apparent dislike of body ink.

Read my exclusive interview with John Lydon at SuicideGirls.com.

Benjamin and Peter Bratt: La MISSION

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International Pillow Fight Day in DTLA

My SG buddy Heathervescent helped instigate the feathered anarchy that was the International Pillow Fight Day celebrations in DTLA.

For more images of the fluffy fun hit my International Pillow Fight Day photo album.

Sia Furler: We Are Born

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Floria Sigismondi: The Runaways

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Cherie Currie: The Runaways

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SuicideGirls Must Die Premiere

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Massive Attack: Heligoland

'You're only paranoid if they're not out to get you,' is an adage that's self-evidently true. With that as a given, Massive Attack mainstay 3D (a.k.a. Robert Del Naja) has every right to feel more than a little suspicious and mistrustful, especially when it comes to matters of internet privacy, security and surveillance.

After the FBI passed on a list of 7,300 UK credit card numbers associated with various porn sites (some legal and some of an illicit nature) to UK authorities, 3D was swept up in the excessively wide net of an indiscriminate police sting in 2003. Though allegations of any wrongdoing were unfounded, the repercussions were severe for the outspoken graffiti artist, vocalist and music producer. His home was raided, and all his computers and hard drives were confiscated for several months. To compound the situation, despite the fact that no charges directly relating to the police operation were ever filed, the furor that surrounded the investigation and baseless accusations (which were leaked and sensationally reported by a tabloid newspaper) meant that touring plans to promote Massive Attack's fourth studio album 100th Window had to be put on hold. The situation was all the more ironic considering the title of that album referred to a book that exposed the flaws in computer security and the rampant misuse of information in the internet age.

That unfortunate episode however was not the only incident that might have put 3D on the various "person of interest" lists around the world. He has been extremely open and vocal about his disapproval of the 2003 invasion of Iraq, going as far as designing and funding a series of anti-war ads which were published in the NME (with cohort Damon Albarn). Furthermore, having made several forays to the Middle East with the band, 3D has frequently voiced his concern for the plight of the Palestinian people, and in 2007 put the issue at the top of Massive Attack's political agenda with a series of sold out benefit concerts for the Hoping Foundation (an organization which aids children of the troubled state).

These distractions coupled with increasing demand from filmmakers for scores and soundtracks, meant that a new full-length Massive Attack release took a little longer than expected to manifest. However the wait - and the adversity - has paid off. Original band member Daddy G (a.k.a. Grant Marshall), who'd been absent from the project for several years, came back into the fold, and the resulting fifth studio album, Heligoland (released last month), debuted at #46 on the Billboard Top 200, giving Massive Attack their highest US chart position to date.

I caught up with 3D while he was in LA on a brief promotional trip ahead of Massive Attack's first North American tour in 4 years. During our phone conversation, he spoke about the new CD (which features contributions from Damon Albarn, Hope Sandoval, Martina Topley-Bird, and longtime Massive Attack collaborator Horace Andy, among others), and shared his thoughts on the increasingly pointless posturing of British and American party politics, the inherent dangers of our heavily surveilled states, and the futility of exporting such a culture to the Middle East.

Read the full interview with Massive Attack's 3D on SuicideGirls.com.

Manifesting Equality

Was Manifesting Equality on Saturday night.

Hope it works!

Can't believe anyone can be pro-Prop H8te in 2010.

That kind of philosophy is so last century, never mind last decade.

It's about time primitive minds evolved.

Thanks to Jon Stern for the images.

Down The Rabbit Hole With Camille Rose Garcia And Robin Williams

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Ondi Timoner: We Live In Public

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Anders Østergaard: Burma VJ

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